This piece, consisting of an acrylic painting (24″x24″) and an augmented reality (AR) digital-video overlay, is a collaborative artwork made together with my husband Shane Denson. It will be featured on the cover of the soon forthcoming book Post-Cinema: Theorizing 21st Century Film, which Shane edited along with Julia Leyda, and it will be on display at The Carrack Modern Art gallery in Durham, NC from January 15-23, 2016.
For the painting, I started with a photo that I took of our dog Evie lying in front of another of my paintings, Glitchesarelikewildanimals!No.1, which itself was based on a digitally glitched (databent) picture of Evie. I subjected the new photo to a similar process, first turning it into a video in a nonlinear editing program (Final Cut Pro) and then deforming the video by sonifying it in an audio editing program (audacity).
You can see the…
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