2-Year Postdoc: Mellon Fellowship of Scholars in the Humanities at Stanford

AAH

My department, the Department of Art & Art History at Stanford, is one of four (along with East Asian Languages & Cultures, English, and Theater & Performance Studies) looking to host a recent PhD as a 2-year Mellon Fellow. The position offers ample time to research, a generous stipend ($83,000), full benefits, a research fund, and an opportunity to work with some amazing people in the humanities at Stanford.

Full details, eligibility, requirements, and application process are outlined on the website of the Stanford Humanities Center.

Please spread the word if you know someone who would benefit from this opportunity!

Advertisements

The Algorithmic Nickelodeon at Besides the Screen Festival (Vitoria, Brazil, September 9-12, 2019)

BesidesTheScreen

I am happy to report that my deformative, EEG-driven interactive video project, The Algorithmic Nickelodeon, which was screened last month at the ACUD-Kino in Berlin, has been selected for screening at the Besides the Screen Festival taking place in Vitória and São Paulo, Brazil this September. My understanding is that it will be among the works shown in Vitória from September 9-12.

Images of Discorrelation, MECS Lecture July 3, 2019 (Video)

Screen Shot 2019-07-22 at 4.41.54 PM

On July 3, 2019, I delivered a talk related to my forthcoming book, Discorrelated Images, at Leuphana Universität’s Institute of Advanced Study on Media Cultures of Computer Simulation (MECS), during my fellowship in Lüneburg. The video is now online, and can be viewed here (or the direct link to YouTube).

Thanks to Florian Hoof for the kind invitation, and for everyone at MECS and the Center for Digital Cultures for hosting me this summer!

Talks and Events in Bogotá, September 2019

D_fSzqLWwAIdgt1.jpg-large

I am excited to visit Bogotá, Colombia for the first time this coming September, where I will be giving a series of workshops and public lectures. And I am equally excited to see these very cool images that the people there made for my visit!

The public lectures are as follows:

September 10, 2019 (time TBD): “Animating Frankenstein: Film, Comics, and Serialized Visual Culture.” Universidad Jorge Tadeo Lozano.

September 12, 2019 (6pm): “Discorrelation and the Post-Perceptual Image.” Universidad Nacional de Colombia.

I will also be holding some workshops at the Visual Research Laboratory in the Program in History and Theory of Art, Architecture, and the City at the Universidad Nacional de Colombia. Thanks very much to the people there for making this happen, and thanks especially to Visual Research Lab director Zenaida Osorio Porras for the invitation!

Screen Shot 2019-07-15 at 2.47.06 PM

D_fU4kHXUAIsBx4.jpg-large

“Edge Detection” in New Issue of Media Fields Journal

Screen Shot 2019-07-10 at 10.54.01 AM

A new issue of Media Fields Journal is out, titled “At the Edge” and edited by Jeremy Moore and Nicole Strobel. There is a lot of great work in here, which I look forward to digging into.

I am happy to have contributed a short piece called “Edge Detection,” which departs from the sex scene in Blade Runner 2049 to think about computer vision, DeepFakes, and human/technological interfaces and their impact on perception more generally.

Videographic Criticism: Roundtable Videos

Screen Shot 2019-07-10 at 10.57.25 AM

Recently, I posted my my video, “The Algorithmic Nickelodeon,” which I presented on June 21 at the ACUD-Kino in Berlin, in the context of a symposium on “Videographic Criticism: Aesthetics and Methods of the Video Essay” organized by Kathleen Loock.

Now the videos of the two roundtable discussions with Allison de Fren, Kathleen Loock, Chloé Galibert-Laîné, and Kevin B. Lee (moderated by Julia Leyda), and with Liz Greene, David Verdeure, and myself (and moderated by Evelyn Kreutzer) are online, here.

Thanks again to Kathleen Loock for organizing and to the ACUD-Kino for hosting this event!

The Algorithmic Nickelodeon

Yesterday was the first event on my trip to Germany and Switzerland: the symposium Videographic Criticism: Aesthetics and Methods of the Video Essay, organized by Kathleen Loock, and with talks/screenings from her, Allison de Fren, Chloé Galibert-Laîné and Kevin B. Lee, Liz Greene, David Verdeure, and myself.

Above, you will find my video contribution, “The Algorithmic Nickelodeon,” which builds on work started at the Duke S-1: Speculative Sensation Lab during my time there as a postdoc. The video is offered as proof-of-concept for an experimental approach to videographic theory–using video not (only) as a vehicle for theoretical expression but as a more radically transductive medium of media-theoretical exploration and transformation.