Syllabus for the next iteration of my seminar “Post-Cinema” (senior capstone / graduate seminar), Department of Art & Art History, Winter 2017.
I am excited and honored to be delivering one of the keynote addresses at this conference on “Encoding the Future” at the University of Siegen, December 1-2, 2016. More info and program here.
I am honored to be participating in this lecture series at the Heinrich-Heine-Universität Düsseldorf. My talk, titled “Affect and the Authority of Images in a Post-Cinematic Media Environment,” will take place on November 30.
I am pleased to announce that Post-Cinema: Theorizing 21st-Century Film, which I co-edited with Julia Leyda, is now available for download in PDF format.
The open-access book, which has been available in an online HTML version since earlier this year, weighs in at a whopping 990 pages (!) and can now be downloaded for offline reading in two versions (9mb or a higher-quality 13mb version).
There are also two new endorsements for the book. First, from Tanya Horeck at Anglia Ruskin University:
Post-Cinema: Theorizing 21st-Century Film is an intellectually exciting and important book. Editors Shane Denson and Julia Leyda have assembled an extraordinary range of notable contributors with the aim to open up a critical conversation on the very notion of the post-cinematic – something they achieve in a most novel and engaging way. Through essays and roundtable discussions, Post-Cinema formulates fresh and nuanced questions about the consumption and spectatorship of post-millennial film and other media as they circulate through contemporary digital media ecologies. As is fitting given its subject matter of changing media formats, the design and layout of this book – with its open access digitality and its collaborative dialogues – is as relevant and pioneering as its content. Inviting us to rethink received ideas about how 21st-century media reshape “new forms of sensibility,” Post-Cinema: Theorizing 21st-Century Film is critically imperative reading for anyone interested in ongoing vital transformations in moving image media.
– Tanya Horeck, Reader in Film, Media, and Culture, Anglia Ruskin University
And also an endorsement from Michael Lawrence at University of Sussex:
The essays and discussions that have been assembled in Post-Cinema: Theorizing 21st–Century Film provide the reader with a remarkably comprehensive and compelling survey of the diverse critical and theoretical responses to the formal, technological, affective, political and ecological dimensions of our contemporary post-cinematic landscape. That landscape now has an authoritative and inspirational field guide: by gathering together foundational interventions alongside the most recent contributions this collection will prove indispensable to anyone wishing to take these conversations forward.
– Michael Lawrence, Reader in Film Studies, University of Sussex
More info and an official announcement can be found here.
My abstract for the panel “Generativity and Creative Agency in Post-Cinematic Media” at SLSA 2016 in Atlanta:
Post-Cinema as a Generative Media Regime
Shane Denson, Stanford University
This presentation examines recent theories and approaches to post-cinema, understood broadly as the informatically informed audio-visual media regime that follows in the wake of electronic and digital media’s absorption and re-tooling of cinematic technologies and modes of representation. Taking cues from Steven Shaviro’s Post-Cinematic Affect (2010) and the diverse contributions to the collection Post-Cinema: Theorizing 21st-Century Film (2016, co-edited by Shane Denson and Julia Leyda), among others, I aim in particular to foreground the ways in which what has often been conceived in terms of loss (e.g. the loss of indexicality, the demise of celluloid, or the death of cinema as an institution or context for collective reception) inevitably also involves an additive or generative moment—a moment of technical and cultural creation informed by the microtemporal and computational processes that displace and transform the photographic ontology of cinema. Such generativity has been glimpsed in a variety of critical and theoretical statements, such as Lev Manovich’s argument that digital processes render all images “animation,” Steven Shaviro’s focus on “affect” as the pre-perceptual site of these images’ registration, or Vivian Sobchack’s recent meditations on the emergence of a new spatiotemporal dimension within the “screen-sphere” that now encompasses all of human life. As of yet, however, these approaches have not been synthesized into a more general, comprehensive framework of post-cinematic generativity. This talk aims to make a step in this direction by identifying the technical, phenomenological, and pre-personal foundations of the post-cinematic media regime and its particular mechanisms of creative agency.
Here is a short “book trailer” for the open-access collection Post-Cinema: Theorizing 21st-Century Film, edited by Shane Denson and Julia Leyda (REFRAME Books, 2016).
On June 24, 2016, Julia Leyda and I will be celebrating the launch of our co-edited book Post-Cinema: Theorizing 21st-Century Film at Pro qm Books in Berlin. Several contributors will be on hand as well for a short book presentation, Q&A, and wine!
See the flyer above for details, and come out if you’re in the neighborhood!