The Algorithmic Nickelodeon

Yesterday was the first event on my trip to Germany and Switzerland: the symposium Videographic Criticism: Aesthetics and Methods of the Video Essay, organized by Kathleen Loock, and with talks/screenings from her, Allison de Fren, Chloé Galibert-Laîné and Kevin B. Lee, Liz Greene, David Verdeure, and myself.

Above, you will find my video contribution, “The Algorithmic Nickelodeon,” which builds on work started at the Duke S-1: Speculative Sensation Lab during my time there as a postdoc. The video is offered as proof-of-concept for an experimental approach to videographic theory–using video not (only) as a vehicle for theoretical expression but as a more radically transductive medium of media-theoretical exploration and transformation.

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Talks and Events: Germany/Switzerland, June-July 2019

Germany-Switzerland-June-July-2019

This summer, I will be spending a month in Germany, along with a short trip to Switzerland, for a series of talks and other events. Here is the full list:

June 21: “The Algorithmic Nickelodeon” — Screening and presentation at symposium on “Videographic Criticism: Aesthetics and Methods of the Video Essay,” ACUD-Kino Berlin

June 23-28: Stanford-Leuphana Summer Academy 2019: “Against Presentism” — at Stanford Berlin Campus

June 26, 6pm: “Desktop Horror: Screening Fear/Fearing Screens” — Presentation at the JFK Institute for North American Studies, Freie Universität Berlin

June 29: “Discorrelation and Seamfulness” — Presentation at the media-philosophical workshop on “Reflexivity in Digital Media,” Zürcher Hochschule der Künste, Zurich

July 1-19: Research Fellowship at the Institute for Advanced Study on Media Cultures of Computer Simulation — Leuphana University, Lüneburg

July 3: “Images of Discorrelation” — Presentation in the Media Cultures of Computer Simulation/Center for Digital Cultures Evening Colloquium Series, Leuphana University, Lüneburg

July 10: “Post-Cinematic Realism” — Presentation in the Sprache, Migration, und Vielfalt series at the Leibniz Universität Hannover

“The Algorithmic Nickelodeon” at ACUD-Kino Berlin — Symposium on Videographic Criticism

Videographic_Symposium

Next Friday, June 21, 2019, I am excited to present “The Algorithmic Nickelodeon,” a literally mind-bending EEG-powered videographic experiment, in the context of the symposium on “Videographic Criticism: Aesthetics and Methods of the Video Essay.”

The symposium, organized by Kathleen Loock, will take place at the ACUD-Kino in Berlin, and will bring together lots of leading practitioners of videographic scholarship to screen their work and discuss questions of aesthetics, methods, and theory.

The event is free and open to the public, so come by if you’re in the neighborhood!

Talks & Events: Switzerland/Germany, December 2018

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This coming week, I will be heading out to Europe for a series of talks and events in Switzerland and Germany, where I will be presenting work related to my forthcoming book Discorrelated Images as well as videographic scholarship (including the recent Videographic Frankenstein exhibition).

Here is a list of talks/events:

Post-Cinema Book Launch Party

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On June 24, 2016, Julia Leyda and I will be celebrating the launch of our co-edited book Post-Cinema: Theorizing 21st-Century Film at Pro qm Books in Berlin. Several contributors will be on hand as well for a short book presentation, Q&A, and wine!

See the flyer above for details, and come out if you’re in the neighborhood!

Seriality Seriality Seriality

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Poster for the upcoming conference “Seriality Seriality Seriality: The Many Lives of the Field that Isn’t One” (final conference of the Popular Seriality Research Unit), taking place June 22-24, 2016 at the Freie Universität Berlin!

More info at the conference website.

CFP: Seriality Seriality Seriality — Berlin, June 2016

Seriality Seriality Seriality: The Many Lives of the Field That Isn’t One

On June 22-24, 2016, the Popular Seriality Research Unit (DFG Forschergruppe 1091 “Ästhetik und Praxis populärer Serialität”) will hold its final conference in Berlin, Germany.

After six years, thirteen subprojects, nine associated projects, numerous conferences, workshops, and publications it is time to reach some kind of conclusion.

Together with our international collaborators over the years, we would like to explore future possibilities and alternative visions of a “field” that we always claimed existed. Thus, the focus of our final conference will be on the histories, conceptualizations, and methodologies of seriality studies itself.

Trying to sidestep the formats of the project pitch, the case study, the “reading” of individual series according to pre-existing theoretical models or their translation into philosophical master vocabularies, we invite scholarly practices—including those just mentioned—to reflect on the challenges and limits of (their contributions to) seriality studies as an ongoing, perhaps fantastical, project that traverses disciplinary and methodological paradigms.

Each of the Research Unit’s current subprojects will organize a section. Section formats will vary but they will always stress discussion and exchange. Hence, workshops and panel discussions will provide at least 40 minutes for Q&A. Time limits for papers (20 minutes) and panel statements (5 minutes) will be strictly enforced.

We invite paper proposals for sections nos. 3, 7, & 11 by October 31, 2015. Please specify which of these sections you are applying for; note that other sections are already complete.

Please refer to the CFP above for details and application procedures, and visit our conference website at: http://www.popularseriality.de/en/konferenz/index.html