Frankenstein 2018: 200 Years of Monsters (CFP)

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The call for papers is now out for the “Frankenstein 2018: 200 Years of Monsters” conference hosted by the Australian National University and the National Film and Sound Archive in Canberra, Australia (12 – 15 September 2018). I will be giving one of the four keynote talks — on Frankenstein in film and other media. Proposals are being solicited for talks on a range of Frankensteinian topics, including:

  • Literary studies, especially of the long eighteenth century, Romanticism, Victorian and neo­‐Victorian literature
  • Re-tellings and re-­‐imaginings of the Frankenstein story in various modes and genres, e.g. SF, steampunk, speculative fiction, slash fiction, etc.
  • Film, television, theatre and performance, and visual studies
  • Digital humanities, reception studies, histories of popular culture, and media ecologies
  • Gender studies, queer theory, and the history of sexuality
  • Disability studies and post‐humanism
  • The history of medicine, especially reproductive technologies
  • Science and technology studies; images and imaginaries of science and scientists
  • The history and philosophy of biology, especially in relation to vitalism
  • Eco‐criticism and the Anthropocene
  • Affect theory and the history of emotions
  • Frankenstein and race, colonialism, empire
  •  Global and local Frankensteins, e.g. Australian Frankensteins
  • Frankenstein and material history
  • Cyborgs, robots, artificial intelligence, and machine learning
  • Synthetic biology, genetic engineering, and artificial life

For more info and the CFP, take a look at the conference website: http://rsha.cass.anu.edu.au/events/conference-frankenstein-two-hundred-years-monsters

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Essays in Sight and Sound: An Exhibition of Video Essays

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Essays in Sight and Sound: An Exhibition of Video Essays brings together a number of works produced in the Fall 2017 course “The Video Essay: Writing with Video about Film and Media.”

The assembled videos deal with cinema, television, video games, and online media, which they approach from a variety of angles. Together, these works not only probe our changing media landscape but explore the critical affordances of the video essay as a means of writing with sight and sound.

The exhibition will be on view January 12 – 26, 2018 in the Gunn Foyer of the McMurtry Building, home of the Department of Art & Art History, on the Stanford University campus.

The Video Essay: Writing with Video About Film and Media

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This fall, I am excited to teach a new course, “The Video Essay: Writing with Video About Film and Media,” as a part of Stanford’s Introductory Seminars program. Geared towards sophomores from any major, this small class will combine practical instruction in video editing, analysis and discussion of exemplary video essays, hands-on lab sessions, and group critique of student work.

The course draws essential inspiration from the NEH-funded “Scholarship in Sound & Image” workshop, organized by Christian Keathley and Jason Mittell at Middlebury College, which I participated in back in 2015.

More info about the course can be found on Stanford’s Introductory Seminars website.

Cine-Serialities

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On Tuesday, May 9, 2017, Kathleen Loock (Freie Universität Berlin/University of Wisconsin-Madison) will be holding a guest lecture on “Cine-Serialities: The Industrial Logics, Aesthetic Pleasures, and Discursive Constructions of Cinema’s Serial Forms.” The lecture will take place at 1:30pm in the McMurtry Building, room 350.

#SCMS17 Workshop on “Deformative Criticism and Digital Experimentations in Film and Media Studies”

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If you’re in Chicago for the Society for Cinema and Media Studies conference this week, come check out our workshop on “Deformative Criticism and Digital Experimentations in Film and Media Studies” on Friday, March 24 at 9am. More info here.