Monthly Archives: October 2015

Opening of Hyperrhiz: Kits, Plans, and Schematics. An Exhibition of Electronic Art

Posted by Shane Denson on

The New Krass

Gnomes at Hyperrhiz1Hyperrhiz exhibit

The first two pictures from the opening of the Hyperrhiz exhibit at the Digital Studies Center at Rutgers University-Camden. Opening Reception October 15, 4-6pm.

Six Data gnomes, data portraits, and other physical and augmented elements of Manifest Data, a project of the Duke S-1 Speculative Sensation Lab (with Amanda Starling Gould, Karin & Shane Denson, Luke Caldwell, Libi Striegl, and David Rambo), will be on display alongside other contributions to a special issue of Hyperrhiz on “Kits, Plans, and Schematics.”

View original post

Hyperrhiz: Kits, Plans, and Schematics. An Exhibition of Electronic Art

Posted by Shane Denson on

Check out the cool video Robert Emmons put together for the upcoming exhibition at Rutgers Camden’s Digital Studies Center, which will launch the new issue of Hyperrhiz. Both the journal and the exhibit — and now also the video — feature work done by members of the Duke S-1: Speculative Sensation Lab, in collaboration with Karin Denson. Very happy to see the data gnomes enjoying some sunshine up in New Jersey!

Post-Cinema: 24fps@44100Hz

Posted by Shane Denson on

The New Krass

Cover-painting_small

Finished my latest piece, “Post-Cinema: 24fps@44100Hz”
(Acrylic on canvas, 24″ x 24″)
The painting will have an animated, augmented reality overlay when scanned with a smartphone or similar device. It will be featured on the cover of
Post-Cinema: Theorizing 21st-Century Film,
edited by Shane Denson and Julia Leyda (forthcoming soon!)

View original post

Conversations in the Digital Humanities at Duke

Posted by Shane Denson on

page-events-dhduke

Today, Oct. 2, 2015, the Franklin Humanities Institute, the Wired! Lab, the PhD Lab in Digital Knowledge, and HASTAC@Duke will be presenting “Conversations in the Digital Humanities,” the inaugural event of the new Digital Humanities Initiative at Duke University. More information about the event, in which I will be participating alongside colleagues from the S-1: Speculative Sensation Lab, can be found on the FHI website.

Also, all of the 10-minute “lightning talks” will be live-streamed. The first block of sessions, from 2:15-3:45pm EST, will be streamed here, and the second block, from 4:00-5:40pm, will be viewable here. (Apparently, the videos will be archived and available after the fact as well.)

Here is the complete schedule:

2:00 – 2:15
Welcome and Introduction to Digital Humanities Initiative

2:15 – 3:45 
Session 1 (10 minutes per talk)

  1. Project Vox (Andrew Janiak, and Liz Milewicz)
  2. NC Jukebox (Trudi Abel, Victoria Szabo)
  3. Visualizing Cultures: The Shiseido Project (Gennifer Weisenfeld)
  4. Going Global in Mughal India (Sumathi Ramaswamy)
  5. Israel’s Occupation in the Digital Age (Rebecca Stein)
  6. Digital Athens: Archaeology meets ArcGIS (Tim Shea, Sheila Dillon)
  7. Early Medieval Networks (J. Clare Woods)

3:45 – 4:00
Coffee Break

4:00 – 5:40 
Session 2 (10 minutes per talk)

  1. Painting the Apostles – A Case Study in “The Lives of Things” (Mark Olson, Mariano Tepper, and Caroline Bruzelius)
  2. Digital Archaeology: From the Field to Virtual Reality (Maurizio Forte)
  3. The Memory Project (Luo Zhou)
  4. Veoveo, children at play (Raquel Salvatella de Prada)
  5. “Things to Think With”: Weird DH, Data, and Experimental Media Theory (S-1 Lab)
  6. s_traits, Generative Authorship and the Emergence Lab (Bill Seaman and John Supko)
  7. Found Objects and Fireflies (Scott Lindroth)
  8. Project Provoke (Mary Caton Lingold and others)

5:40 – 6:00 
Reception