Popular Seriality — Round Two!

popular_seriality_logo_550_300I am very excited to announce today that the DFG (Deutsche Forschungsgemeinschaft / German Research Foundation) has now officially approved the application of the Research Unit “Popular Seriality — Aesthetics and Practice” for a second 3-year funding period! From October 2013 through September 2016, we will continue our research on serial forms and processes in popular culture, this time around through seven newly developed projects:

Serial Politicization: On the Cultural Work of American City Mysteries, 1844-1860 (Daniel Stein, Berlin)

Serial Narration in Popular German-Language Periodicals from 1850 to 1890 (Claudia Stockinger and Stefan Scherer, Göttingen and Karslruhe)

Serializing Mass Culture: Popular Film Serials and Serial Structures in the United States, 1910-1940 (Ruth Mayer, with Ilka Brasch, Hannover)

Writing Series: The Occupational Culture of Present-Day German Televised Entertainment (Regina Bendix, Göttingen)

Retrospective Serialization: Remaking as a Method of Cinematic Self-Historicizing (Frank Kelleter and Kathleen Loock, Berlin)

Digital Seriality: The Serial Aesthetics and Practice of Digital Games (Shane Denson and Andreas Jahn-Sudmann, Hannover and Berlin)

Real-Life Storytelling: The Threefold Formal Structure of Reality TV as a Procedure of Cumulative Serialization (Christian Hißnauer, Göttingen)

For more information about the Research Unit — our past and present projects, publications, news, events, and other information — please refer to our official homepage: here.

Transnational Comics Studies

TransnationalConcept

Recently, I discovered an alternative cover concept — seen above — for Transnational Perspectives on Graphic Narratives: Comics at the Crossroads (which I co-edited along with Christina Meyer and Daniel Stein). I found this on the webpage of Daniel Benneworth-Gray, the designer who was also responsible for the final book cover. In the end, I have to say I like the final cover better, but I think this is a nice concept, and it gives me a kind of a parallel universe / Bizarro world / “What-if?” / retcon kinda feeling, which I think is quite appropriate for a book about comics.

Speaking of the book, Daniel Stein, Christina Meyer, and I will be doing just that: i.e. speaking about the book and the broader field of “Transnational Comics Studies” on October 9, at the Berliner Kolloquium zur Comicforschung. The meeting will take place at the Humboldt University in Berlin. I’ll post the exact time and place as soon as I know more.