Today, the second of three events in Australia: “Posthuman/Post-Cinema,” hosted by Bruce Isaacs at the University of Sydney.


Modern Prometheus — Basel, Switzerland


I am very happy to be a part of this great lecture series on Der moderne Prometheus/The Modern Prometheus this fall at the University of Basel. On December 13, 2018, I will present “Post-Cinematic Prometheus: From Frankenstein to Ex_Machina.” More info to follow.


Creation scene and aftermath, as described in Mary Shelley’s Frankenstein (Chapter 5, 1831 edition) and interpreted by Cris Valenzuela’s text-to-image machine-learning demo ( utilizing AttnGAN (Attentional Generative Adversarial Networks).

Made for the upcoming Videographic Frankenstein exhibition at the Department of Art & Art History, Stanford University (Sept. 26 – Oct. 26, 2018). More info here:

Criticism in Moving Images: The Video Essay in Theory and Practice (Sydney)

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“Criticism in Moving Images: The Video Essay in Theory and Practice” is the first of three events I’ll be involved in during a trip next month to Australia. On September 5 at the Power Institute (University of Sydney), Conor Bateman and I will present and discuss videographic work in conversation with Susan Potter:

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See here for more info, and register here.