On Tuesday, May 9, 2017, Kathleen Loock (Freie Universität Berlin/University of Wisconsin-Madison) will be holding a guest lecture on “Cine-Serialities: The Industrial Logics, Aesthetic Pleasures, and Discursive Constructions of Cinema’s Serial Forms.” The lecture will take place at 1:30pm in the McMurtry Building, room 350.
Media of Serial Narrative, edited by Frank Kelleter and published by The Ohio State University Press, is out now! The book includes 14 chapters, two of which I co-authored: “Spectral Seriality: The Sights and Sounds of Count Dracula” (co-authored with Ruth Mayer) and “Digital Seriality: On the Serial Aesthetics and Practice of Digital Games” (co-authored with Andreas Sudmann). Here’s the full table of contents:
Starting May 1, I am proud to present an exhibition of video essays, including works by well-known scholar-filmmakers Allison de Fren and Kevin B. Lee, as well as students from my “Post-Cinema” seminar. Selected videos deal with a range of topics, including digital animation, Beyoncé’s Lemonade and the visual album, contemporary horror, slow cinema, transmedia franchises and post-cinematic television, and more.
Above, the schedule for the Spring 2017 Games and Interactive Media Series (GAIMS) at Stanford. Among the many great speakers this quarter, we have Dennis Fong (one of the first professional gamers) and Allan Alcorn (the engineer who designed the classic Atari PONG). Check it out!
Next week, on April 7, 2017, I’ll be giving a talk titled “Post-Cinematic Artifacts: Digital Glitch and the Ruins of Perception” at the 2017 Media Fields conference, “RUINS,” at UC Santa Barbara.
Building on recent work I’ve been doing, I’ll be arguing “that new forms of sensibility and collectivity may become thinkable in the spaces opened up by post-cinematic media – that new ways of being and relating to the world may arise from the ruins of perception.”
Click here or on the image above to view the slides from today’s workshop on “Deformative Criticism & Digital Experimentations in Film & Media Studies” at the 2107 SCMS conference.
Also, see here for a Google Doc with my contribution (“Glitch Augment Scan”) — including thoughts on AR, examples, and a super-simple AR tutorial — as well as links to videos, code, experiments, and deformations by my co-panelists Stephanie Boluk, Kevin Ferguson, Virginia Kuhn, Jason Mittell, and Mark Sample.
If you’re in Chicago for the Society for Cinema and Media Studies conference this week, come check out our workshop on “Deformative Criticism and Digital Experimentations in Film and Media Studies” on Friday, March 24 at 9am. More info here.