Imagining Media Archaeology

On Wednesday, June 5, 2013 (at 6:00 pm in room 608 in the Conti-Hochhaus), the Film & TV Reading Group will meet to discuss two texts relevant to the larger theme of “Imagining Media Archaeology” (part of a semester-long series of events detailed here). The texts are:

1) Jussi Parikka, “Imaginary Media: Mapping Weird Objects.” In:What Is Media Archaeology? Hoboken: John Wiley & Sons, 2012. 41-62.

2) Wanda Strauven, “The Observer’s Dilemma: To Touch or Not to Touch?” In: Media Archaeology: Approaches, Applications, and Implications. Eds. Erkki Huhtamo and Jussi Parikka. Berkeley: U of California P, 2011. 148-163.

In case you missed it: both Jussi Parikka and Wanda Strauven will be keynote speakers at our symposium “Imagining Media Change,” which will be held on June 13, 2013 — for more info, check here and here.

As for the Film & TV Reading Group: we are always happy to welcome new participants to our informal discussion group! For more information, please contact Felix Brinker.

Imagining Cinematic Transformation

On Wednesday, May 8, 2013 (at 6:00 pm in room 608 in the Conti-Hochhaus), the Film & TV Reading Group will meet to discuss two texts relevant to the larger theme of “Imagining Cinematic Transformation” (part of a semester-long series of events detailed here). The texts are:

1) Francesco Casetti, “The Relocation of Cinema,” _NECSUS_ 2 (2012): online at http://www.necsus-ejms.org/the-relocation-of-cinema/

2) Thomas Elsaesser and Malte Hagener, “Conclusion: digital cinema — the body and the senses refigured?”, in: _Film Theory: An Introduction through the Senses_. New York and London: Routledge, 2010. 170-187.

We are always happy to welcome new participants to our informal discussion group! For more information, please contact Felix Brinker.

Imagining Media Change — Symposium Poster

Recently, I posted the description for the symposium on “Imagining Media Change” that we’re organizing this June, with keynote speakers Jussi Parikka and Wanda Strauven — part of this semester’s larger series of events. Now I am proud to present the poster for the symposium (designed by Ilka Brasch and Svenja Fehlhaber), which includes an overview of the schedule and speakers. A more detailed schedule, including the titles of talks, will be made available soon.

Flash Gordon (1936): “Imagining Media Change” — Screening #1

On April 17, 2013, we will be screening the serial Flash Gordon (1936), the first installment in this semester’s film series “Imagining Media Change.” (See here for a flyer with more details about our film series and related events, and here for a description of the symposium that forms the conceptual centerpiece.) In this context, science fiction (and sci-fi film, in particular) presents itself as a central vehicle for “imagining media change” in the 20th and 21st centuries — as a medium for conceiving the future, and in this way negotiating the changes characterising the present. Looked at in retrospect, early sci-fi films like Flash Gordon therefore also form a natural site for a media-archaeological investigation of past changes and their parallel histories and relations to our own ongoing efforts to negotiate the transition to a digital mediascape.

The screening (6:00pm on Wednesday, April 17, in room 615, Conti-Hochhaus) is free and open to all, so spread the word to anyone who might be interested in joining us.

Symposium: Imagining Media Change

Imagining Media Change

Symposium of the Initiative for Interdisciplinary Media Research and the American Studies department at the Leibniz University of Hannover, 13 June 2013 (Niedersachsensaal, Conti-Campus)

In the midst of the ongoing digitalization of our contemporary media environment, recent media and cultural studies have developed a renewed interest in the production and staging of technological innovation, in the occurrence and impact of media change, and in the ways these transformations inform the production, circulation, reception, and aesthetics of popular texts and media forms. The emergence of ‘new media’ in particular, it would seem, prompts us to rethink the role of mediating technologies within social and cultural spheres, and to explore how our everyday lives are transformed by a newly digitalized technical infrastructure. Such explorations are necessarily reflexive, however, as our attempts to imagine media change are themselves mediated by cultural texts and technologies in the grip of change. Dynamics of medial self-historicization guide our very thinking about media history: commercial logics, in particular, emphasize the superiority of the new, attest to the inevitability of the past’s obsolescence, and seek to captivate our imaginations with branded visions of the media-technological future. Seeking to look beyond these pressures, a reflexive engagement with recent media change is therefore called upon to reevaluate the impact of previous transitions and transformations throughout media history, and to excavate, if possible, discontinuities and ruptures in the development of modern media as they relate to broader social, cultural, and material processes of change. From a media-archaeological perspective, the history of media emerges not as a straightforward, linear process of technological innovation and implementation, but rather as a discontinuous series of media crises and negotiations of change. Understanding the uneven historical emergence and transformation of different types of media thus promises a renewed understanding not only of historical media, but also of contemporary media change and our present (in)ability to imagine its scope and impact. Crucial to this enterprise is an appreciation of reflexivity itself – a recognition of the fact that when media change, they also change our imaginations, including our imagination of media change. In the face of corporate and other interests that seek to capitalize on this logic and to steer our imaginations of the digital transition for their own benefit, what’s ultimately at stake in a media-archaeological excavation of our medial past and present is therefore nothing less than a political question: Will we be the subjects or merely the objects of “imagining media change”?

The symposium “Imagining Media Change” takes a broad view of media-historical and counter-historical developments and transformations since the nineteenth century, focusing in particular on the reflexive interactions between media undergoing change and media being used to imagine the parameters, effects, and significance of media-technological transformations. We are interested in historical and contemporary visions of change as they are articulated in or pertain to a wide range of media (including film, television, literature, and other visual, aural, textual, or computational media). The one-day symposium aims to bring together a variety of disciplinary perspectives and interests and to facilitate discussion of the material, political, aesthetic, and speculative dimensions of media change. Keynote lectures will be held by Jussi Parikka (University of Southampton, UK) and Wanda Strauven (University of Amsterdam, NL).

For more information about the symposium “Imagining Media Change,” please contact felix.brinker@engsem.uni-hannover.de or refer to the events page (http://medieninitiative.wordpress.com/events/).

Film & TV Reading Group: Imagining Technological Innovation

In the summer semester 2013, the meetings of the Film & TV Reading Group will be organized around thematic units related to this semester’s overarching theme of “Imagining Media Change.” The first meeting, coming up on April 10, is devoted to “Imagining Technological Innovation.” (It will be followed by “Imagining Cinematic Transformation” on May 8 and “Imagining Media Archaeology” on June 5).

The texts for the first session are:

Franco Piperno, “Technological Innovation and Sentimental Education” (in: Radical Thought in Italy. A Potential Politics. Eds. Paolo Virno and Michael Hardt. Minneapolis & London: University of Minnesota Press, 1996. 122-130.)

and

Jussi Parikka, “Introduction: Cartographies of the Old and New” (in: What Is Media Archaeology? Hoboken: John Wiley & Sons, 2012. 1-18.)

We are always happy to welcome new participants to our informal discussion group! For more information, please contact Felix Brinker.

Imagining Media Change

This coming semester, the Initiative for Interdisciplinary Media Research is proud to present a series of events organized around the topic “Imagining Media Change.” The flyer above (click for a larger view) details these events, which include a series of film screenings, thematically focused discussion groups, and a symposium featuring keynotes by Jussi Parikka and Wanda Strauven!

More details to follow soon…

Chronicle of Media Initiative Events

I have added a new rubric (Events) at the top of this page, where I will post future events and maintain a chronicle of past events. While putting this list together, it occurred to me that the media initiative has organized quite a few events over the (nearly) two years of its existence at the Leibniz University Hannover. Here’s a list of things we’ve done:

April 13, 2011: Inaugural meeting of the Initiative for Interdisciplinary Media Research

May 18, 2011: Shane Denson, “Mediatization & Serialization” (public lecture)

June 8, 2011: Media Initiative blog (medieninitiative.wordpress.com) goes online

July 13, 2011: Preliminary meeting of the Film & TV Reading Group

October 26, 2011: First regular meeting of the Film & TV Reading Group (text: Jason Mittell, “Narrative Complexity in Contemporary American Television” – moderators: Florian Groß, Shane Denson)

October 27, 2011: “Bollywood Nation” film series begins (organized by Jatin Wagle and Shane Denson, in conjunction with Jatin Wagle’s seminar “Long-Distance Hindu Nationalism and the Changing Figure of the Expatriate Indian in Contemporary Bollywood Cinema”); screening #1: Swades: We, the People (2004)

November 24, 2011: “Bollywood Nation” film series, screening #2: Dilwale Dulhania Le Jayenge (1995)

November 30, 2011: Film & TV Reading Group (text: Lynn Spigel, “Television, the Housewife, and the Museum of Modern Art” – moderator: Bettina Soller)

December 8, 2011: “Bollywood Nation” film series, screening #3: Pardes (1997)

December 15-17, 2011: “Cultural Distinctions Remediated: Beyond the High, the Low, and the Middle.” International Conference, organized by Ruth Mayer, Vanessa Künnemann, Florian Groß, and Shane Denson. Sponsored by the DFG, DGfA, American Embassy in Berlin, CampusCultur, and in association with the DFG Research Unit “Popular Seriality—Aesthetics and Practice” and the Initiative for Interdisciplinary Media Research at the Leibniz University of Hannover. Keynote speakers: Jason Mittell and Lynn Spigel. Presentations by Media Initiative members Shane Denson, Florian Groß, Christina Meyer, and Bettina Soller.

December 21, 2011: Film & TV Reading Group (text: Steven Shaviro, “Contagious Allegories: George Romero” – moderator: Stefan Hautke) + film screening: Night of the Living Dead (1968)

January 5, 2012: “Bollywood Nation” film series, screening #4: Mr. and Mrs. Iyer (2002)

January 18, 2012: Film & TV Reading Group (text: Livia Monnet, “A-Life and the Uncanny in Final Fantasy: The Spirits Within” – moderator: Thomas Habedank)

January 26, 2012: “Bollywood Nation” film series, screening #5: Chak De! India (2007)

April 25, 2012: Film & TV Reading Group (text: Mark B. N. Hansen, “Media Theory” – moderator: Shane Denson)

April 26, 2012: “Chaos Cinema?” film series begins (organized by Felix Brinker, Shane Denson, and Florian Groß); screening #1: “Chaos Cinema” (video essays by Matthias Stork)

May 16, 2012: Film & TV Reading Group (text: Steven Shaviro, “Post-Continuity” – moderator: Felix Brinker)

May 24, 2012: “Chaos Cinema?” film series, screening #2: Gladiator (2000); curator: Florian Groß

June 20, 2012: Film & TV Reading Group (text: Rudmer Canjels, “Seriality Unbound” – moderator: Ilka Brasch)

June 21, 2012: “Chaos Cinema?” film series, screening #3: Transformers (2007); curator: Shane Denson (presentation: “Discorrelated Images: Chaos Cinema, Post-Cinematic Affect, and Speculative Realism”)

July 2, 2012: Public lecture – Mark B. N. Hansen, “Feed Forward, or the ‘Future’ of 21^st Century Media”; First in a week-long series of events with Mark B. N. Hansen (Duke University), co-organized by Shane Denson and Felix Brinker. Grant secured through the Fulbright Senior Specialist Program. Sponsored by the Guest Professor Program of the Faculty of Humanities, American Studies / English Department, and the Initiative for Interdisciplinary Media Research at the Leibniz University of Hannover.

July 3, 2012: Mark B. N. Hansen, “The End of Pharmacology? Historicizing 21^st Century Media”; Guest lecture in Shane Denson’s seminar, “Cultural and Media Theory: Media in Transition”

July 5, 2012: “Chaos Cinema?” film series, screening #4: Scott Pilgrim vs. the World (2010); curator: Felix Brinker (presentation: “Scott Pilgrim Vs. The Movies: Intermedial Collage and Narrative Logic in Scott Pilgrim Vs. The World”)

July 6, 2012: Workshop with Mark B. N. Hansen, including presentations by Media Initiative members Ilka Brasch (“Mapping the Ends of Human Sense Perception”), Felix Brinker (“Between Life and Technics”), and Shane Denson (“Mediate. Discorrelate. Recalibrate.”)

July 11, 2012: Film & TV Reading Group (text: Jack G. Shaheen, “Reel Bad Arabs: How Hollywood Vilifies a People” – moderator: Malte Mühle)

July 17, 2012: Presentations by participants in Shane Denson’s “Digital Media and Humanities Research” course: Linda Kötteritzsch, Julia Schmedes, and Mandy Schwarze, “Bonfire of the Televised Profanities” (blog presentation and discussion of the intersection of TV studies and digital media; Urthe Rehmstedt and Maren Sonnenberg, “Digital Humanities” (video essays).

July 19, 2012: “Chaos Cinema?” film series, screening #5: WALL-E (2008); curator: Shane Denson (presentation: “WALL-E vs. Chaos (Cinema)”)

November 8, 2012: “M: Movies, Machines, Modernity” film series begins (organized by Ilka Brasch, Felix Brinker, and Shane Denson); screening #1: Metropolis (1927); curator: Shane Denson (presentation: “M: Movies, Machines, Modernity – An Introduction”)

November 14, 2012: Film & TV Reading Group (text: Walter Benjamin, “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit” – moderator: Shane Denson)

November 29, 2012: “M: Movies, Machines, Modernity” film series, screening #2: Man with a Movie Camera (1929); curator: Felix Brinker (presentation: “Movies, Machines, Modernity: On Vertov’s Man with a Movie Camera”)

December 5, 2012: Film & TV Reading Group (text: Jean Baudrillard, “The Ecstasy of Communication” – moderator: Julia Schmedes)

December 13, 2012: “M: Movies, Machines, Modernity” film series, screening #3: M – Eine Stadt sucht einen Mörder; curator/presenter: Urs Büttner

December 15, 2012: Shane Denson, “Batman and the ‘Parergodic’ Work of Seriality in Interactive Digital Environments”; presentation in conjunction with the American Studies Research Colloquium

January 16, 2013: Film & TV Reading Group (text: Theodor W. Adorno, “Prolog zum Fernsehen” – moderator: Felix Brinker)

January 17, 2013: “M: Movies, Machines, Modernity” film series, screening #4: Modern Times (1936); curator: Ilka Brasch (presentation: “M: Movies, Machines, Media – Modern Times)

January 22, 2013: Campus-Cultur-Prize 2013 awarded to the Initiative for Interdisciplinary Media Research and the Film & TV Reading Group by CampusCultur e.V. and the Faculty of Humanities of the Leibniz University of Hannover

January 25, 2013: Shane Denson, “On the Phenomenology of Reading Comics”; guest lecture in Felix Brinker’s “Introduction to Visual Culture” seminar

Shane Denson, “On the Phenomenology of Reading Comics”

On Friday, January 25, 2013, I will give a talk “On the Phenomenology of Reading Comics” in the context of Felix Brinker‘s “Introduction to Visual Culture” seminar (12 pm in room 615, Conti-Hochhaus). Anyone interested in attending the talk is asked to contact either me or Felix.

English Theatre Group: Our Country’s Good

In the last teaching week of this semester the English Theatre Group will present Our Country’s Good by Timberlake Wertenbaker.

Based on historical events, the play concerns the arrival in 1788 of the first British convict ships in Botany Bay, South Australia. The treatment of the prisoners at the hands of military officers is brutal. However, the Governor of the colony has high ideals about creating a civilized society and about how the convicts should be treated. Believing that “the theatre is an expression of civilization”, he encourages a certain officer to produce a play with the convicts as actors. Our Country’s Good dramatizes the challenges of rehearsing George Farquhar’s The Recruiting Officer in the face of contempt of most of the officers and a lack of unity amongst the convicts.

The play was written in 1988 and first presented at London’s Royal Court Theatre.

Performances will take place at 7.30pm each evening on

Monday 28 January
Tuesday 29 January
Wednesday 30 January
(no Thursday performance)
Friday 1 February, and
Saturday 2 February

at

Hildesheimer Straße 39A
30169 Hannover

(U-Bahn Schlägerstraße)

Tickets can be purchased in advance from the sales point in the foyer of the Conti-Hochaus at Königsworther Platz 1 during the advance ticket-selling hours:

weekdays from 10am until 4pm, Monday 14 January through to Friday 25 January.